Saturday, 12 July 2014
Tuesday, 24 June 2014
Thursday, 19 June 2014
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I have to admit, I’m a little bit in love with John Green. It’s one of the unfortunate side effects of religiously watching various YouTube personalities. The number of people I’m currently besotted with is getting fairly worrying. However, despite this innocent infatuation, it wasn’t until I became intrigued by all of the hype surrounding his runaway success The Fault in Our Stars that I actually read his books. I don’t think I’ve ever really seen the point of YA fiction. I hardly indulged when I was a member of the intended audience bracket so definitely couldn’t be bothered after I left it. After reading, I was pleasantly surprised. Green’s novel is well written and deals with certain subjects in a sensitive and realistic way. However, I hated his representation of modern day teenagers and felt that some moments were just uncomfortable. Plus, despite the warning from a young colleague of mine, I didn’t find myself turning into an absolute wreck at the end because it becomes painfully obvious where the novel is heading very early on. It’s something that stopped me from finishing Gone Girl and it almost prevented me from making my way through TFIOS.
Wednesday, 18 June 2014
Wicked has an awful lot to answer for these days. The novel that created a back-story for the Wicked Witch of the West and went on to become a runaway success as a stage show has started something of a trend in Hollywood. After last year’s disappointing Oz: the Great and Powerful attempted to explain the origin of the great wizard, Disney have set another much loved family film in their sights. Their big live-action blockbuster Maleficent is the long-awaited rewriting of Sleeping Beauty (1959) from the perspective of the terrifying and terrible witch whose spell sent Aurora to her rest.
Monday, 2 June 2014
updated version of Jane Austen’s Sense and Sensibility. The project was clearly born out of a well-thought out marketing strategy to take the hard earned pennies off both the modern writer’s pre-existing fans and Austen lovers whilst introducing her works to people scared of dipping their toes into Romantic era prose. However, the publication of the first in the series didn’t offer the resounding success that the firm were clearly hoping for. The major reaction tended to be that, whilst the novel was fairly well written and very tounge-in-cheek, it was all a bit pointless. Back in March this year, the second modernisation was released: an update of the under-appreciated Northanger Abbey, a novel Austen wrote in her youth, by crime writer Val McDermid. Northanger Abbey is my favourite Jane Austen novel (not that it means a lot coming from an Austen cynic such as myself) so there was a lot more riding on this than the previous attempt.
Sunday, 1 June 2014
As I’ve already spent time on here trying to prove that we owe a lot to Bryan Singer and his early adaptations of Marvels’ mutant heroes. Without the well-made and still brilliant X-Men back in 2000 we quite probably wouldn’t have been treated to such cinematic delights as Christopher Nolan’s Dark Night trilogy, Joss Whedon’s Avengers and the revamped Amazing Spider-Man. Singer was the guy who, after the heartbreak from Joel Schumacher’s reign of terror, reminded us that comic book films could be great. The moment he stepped away from the franchise was when it all started to go wrong. So I have been on tenterhooks ever since it was announced that Bryan Singer would be back to direct this sequel to 2011’s acclaimed X-Men FirstClass. Add to that the fact that it would be an adaptation of the brilliant ‘Days of Future Past’ storyline and we have a painstaking wait for the release date on our hands. I watched the trailers so many times that I was acting them out in private doing my best P. Stew impression.
Friday, 2 May 2014
Man of Steel feelings on me is currently trying to pique my interest for Gareth Edward’s upcoming Godzilla film. As much as I want to believe Edwards can pull off a film that adequately honours the 1954 Japanese original, I just can’t trust it. Now I can tell what some of you are thinking and I get it: none of the many films starring this reptilian nightmare can really be classed as “good”. There are issues with continuity, the portrayal of the monster, and the basic filming techniques to be found in pretty much all of them. However, there is something about Ishirō Honda’s original that just works so well. Yeah, it might not even be on a par with the 1933 King Kong in terms of quality but fuck it: he’s a goddamn giant lizard monster. Of course, I’ve been burned by heightened anticipation in the past so I’m trying to calm myself down a little. What better way to do this than by rewatching the Matthew Broderick centred travesty from 1998?